1. “If people cannot write well, they cannot think well, and if they cannot think well, others will do their thinking for them.”
2. “- Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
– Never use a long word where a short one will do.
– If it is possible to cut a word out, always cut it out.
– Never use the passive where you can use the active.
– Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.
– Break any of these rules sooner than say anything outright barbarous.”
3. “When I sit down to write a book, I do not say to myself, ‘I am going to produce a work of art.’ I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.”
4. “For after all, what is there behind, except money? Money for the right kind of education, money for influential friends, money for leisure and peace of mind, money for trips to Italy. Money writes books, money sells them. Give me not righteousness, O lord, give me money, only money.”
5. “In an age like our own, when the artist is an altogether exceptional person, he must be allowed a certain amount of irresponsibility, just as a pregnant woman is. Still, no one would say that a pregnant woman should be allowed to commit murder, nor would anyone make such a claim for the artist, however gifted. If Shakespeare returned to the earth to-morrow, and if it were found that his favourite recreation was raping little girls in railway carriages, we should not tell him to go ahead with it on the ground that he might write another King Lear. And, after all, the worst crimes are not always the punishable ones. By encouraging necrophilic reveries one probably does quite as much harm as by, say, picking pockets at the races. One ought to be able to hold in one’s head simultaneously the two facts that Dali is a good draughtsman and a disgusting human being. The one does not invalidate or, in a sense, affect the other. The first thing that we demand of a wall is that it shall stand up. If it stands up, it is a good wall, and the question of what purpose it serves is separable from that. And yet even the best wall in the world deserves to be pulled down if it surrounds a concentration camp. In the same way it should be possible to say, “This is a good book or a good picture, and Continue reading “George Orwell’s 20 Quotes on Writing”
1. “I haven’t any right to criticize books, and I don’t do it except when I hate them. I often want to criticize Jane Austen, but her books madden me so that I can’t conceal my frenzy from the reader; and therefore I have to stop every time I begin. Every time I read Pride and Prejudice I want to dig her up and beat her over the skull with her own shin-bone.”
2. “A successful book is not made of what is in it, but what is left out of it.”
3. “One should never use exclamation points in writing. It is like laughing at your own joke.”
4. “The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail. The trouble with most fiction is that you want them all to land in hell together, as quickly as possible.”
5. “To get the right word in the right place is a rare achievement. To condense the diffused light of a page of thought into the luminous flash of a single sentence, is worthy to rank as a prize composition just by itself…Anybody can have ideas–the difficulty is to express them without squandering a quire of paper on an idea that ought to be reduced to one glittering paragraph.” Continue reading “Mark Twain’s 20 Quotes on Writing”
José Maria de Eça de Queiroz or Eça de Queirós; November 25, 1845 – August 16, 1900) is generally considered to be the greatest Portuguese writer in the realist style.Zola considered him to be far greater thanFlaubert. The London Observer critics rank him with Dickens, Balzac and Tolstoy.
Henry Charles Bukowski (born Heinrich Karl Bukowski; August 16, 1920 – March 9, 1994) was a German-born American poet, novelist and short story writer. His writing was influenced by the social, cultural and economic ambience of his home city of Los Angeles.It is marked by an emphasis on the ordinary lives of poor Americans, the act of writing, alcohol, relationships with women and the drudgery of work.
All of these quotes were chosen from Sidney Lumet’s Making Movies. Additionally, the comments in front of some of the quotes were added due to the collaboration of Christopher Murrie, A.C.E.
1. Blue or red may mean totally different things to you and me. But as long as my interpretation of a colour is consistent, eventually you’ll become aware (subconsciously, I hope) of how I’m using that colour, and what I’m using it for.
2. Don’t let the difficulty of actually achieving a shot make you think that the shot is good. (This times a million. The audience doesn’t care how hard/cool it was to get that shot. If it isn’t right, it isn’t right. As an editor, this one gets me pretty frustrated. Don’t be precious.)
3. There are no small decisions in movie-making. Nowhere does this apply more than in editing.
4. Almost every picture is improved by a good musical score. To start with, music is a quick way to reach people emotionally. (True. But be careful when using temps. Make your scenes play without music first. Then, score enhances what is already great. It is too easy to lean on music to make a scene play when it otherwise wouldn’t. Hell, I like to cut with no sound at all sometimes just to make every idea play as best I can purely on the basis of the visuals.)
5. Everything becomes creative if the person doing the job is. Continue reading “Sidney Lumet’s 20 Quotes on Film”
Andre Bazin was a French film critic of the 50’s. One of his books (two volumes) is described as quintessential for film students, What is Cinema?, which made for the perfect bragabook (book you read to brag about). Your French accent and quirky moustache could only get him so far, it was his writing which established him as THE film critic to read. It has endured for 50 or 60 years, and will continue to endure, an extraordinary feat considering that cinema was only beginning to get credibility as an art, which makes him a pioneer.
Bazin was an admirer of Jean Renoir and Orson Welles. He wrote a book about each of them, but my library had only the latest – which was actually surprising considered its dimensions and the general lack of demand for fifties French film criticism on a director with only one recognizable work in my country.
I devoured the book in one day. It’s short and a particularly boring passage of Karamazov Brotherscombined with a particularly boring afternoon at the beach, made reading it in one sitting the most sensible course of action. It had pictures, too.
I learned quite a few things I didn’t know about the man and his upbringing, his difficulties to get a movie done and his personality. He said something worth quoting, that I couldn’t find on the web:
“Only the optimists are incapable of understanding what it means to love an ideal.”
(Unprecedented words from an interview in the Ritz, 27th of July of 1958)
He broke my heart, by confirming he lifted the story of the Cuckoo Clock from a Hungarian play and Continue reading “Orson Welles Never really liked Movies”
1. “Literature is invention. Fiction is fiction. To call a story a true story is an insult to both truth and art.”
2. “It is a singular reaction, this sitting still and writing, writing, writing, or ruminating at length, which is much the same, really.
3. “There are three points of view from which a writer can be considered: he may be considered as a storyteller, as a teacher, and as an enchanter. A major writer combines these three — storyteller, teacher, enchanter — but it is the enchanter in him that predominates and makes him a major writer…The three facets of the great writer — magic, story, lesson — are prone to blend in one impression of unified and unique radiance, since the magic of art may be present in the very bones of the story, in the very marrow of thought…Then with a pleasure which is both sensual and intellectual we shall watch the artist build his castle of cards and watch the castle of cards become a castle of beautiful steel and glass.”
4. “The thought, when written down, becomes less oppressive, but some thoughts are like a cancerous tumor: you express is, you excise it, and it grows back worse than before.”
5. “No writer in a free country should be expected to bother about the exact demarcation between the sensuous and the sensual; this is preposterous; I can only admire but cannot emulate the accuracy of judgment of those who pose the fair young mammals photographed in magazines where the general neckline is just low enough to provoke a past master’s chuckle and just high enough not to make a postmaster frown.” Continue reading “Vladimir Nabokov’s 20 Quotes on Writing”
1. “Writing, to me, is simply thinking through my fingers.”
2. “It’s the writing that teaches you.”
3. “Writing is a lonely job. Even if a writer socializes regularly, when he gets down to the real business of his life, it is he and his type writer or word processor. No one else is or can be involved in the matter.”
4. ” For an impoverished child whose family could not afford to buy books, the library was the open door to wonder and achievement, and I can never be sufficiently grateful that I had the wit to charge through that door and make the most of it. Now, when I read constantly about the way in which library funds are being cut and cut, I can only think that the door is closing and that American society has found one more way to destroy itself.”
5. “Properly read, the Bible is the most potent force for atheism ever conceived.”
6. “Anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that‘my ignorance is just as good as your knowledge.’” Continue reading “Isaac Asimov’s 20 Quotes on Writing”